Accession: a process of increasing an art collection by addition; something added to what you already have ("the art collection grew through accession").

Figure  Separate shape(s) distinguishable from a background or ground.

Accent: to stress, single out as important. As applied to art it is the emphasis given to certain elements in a painting that allows them to attract more attention. Details that define an object or piece of art.

FIXATIVE  A solution, usually of shellac and alcohol, sprayed onto drawings, to prevent their smudging or crumbling off the support.

FORM  1. The physical appearance of a work of art - its materials, style, and composition. 2. Any identifiable shape or mass, as a “geometric form.”

GEOMETRIC SHAPES  Shapes created by exact mathematical law.

GOTHIC  A style of architecture and art dominant in Europe from the 12th to the 15th century. Gothic architecture features pointed arches, ribbed vaults, and often large areas of stained glass.

GLAZE  A very thin, transparent colored paint applied over a previously painted surface to alter the appearance and color of the surface. In ceramics, washes applied to the clay body which, when fired to temperature, vitrify to form a thin, usually colored, glass layer.

GENRE  Art that depicts the casual moments of everyday life and its surroundings.

FRESCO  A painting technique in which the pigments are dispersed in plain water and applied to a damp plaster wall. The wall becomes the binder, as well as the support.

FORESHORTENING  A method of portraying forms on a two-dimensional surface so that they appear to project or recede from the picture plane.

FIRING  Heating pottery or sculpture in a kiln or open fire to bring the clay to maturity. The temperature needed to mature the clay varies with the type of body used. Also, heating glazed ware to the necessary point to cause the glaze to mature.

FINE ART  An art form created primarily as an aesthetic expression to be enjoyed for its own sake. The viewer must be prepared to search for the intent of the artist as the all-important first step toward communication and active participation.